What’s better than being static? Being in motion, my good friends. Motion is on the rise for the web, from simple interface interactions, to more complex scenarios and prototyping. In this article we’ll introduce ourselves to Adobe Animate, what it is, what it isn’t, and how it can help with your work as a web designer.
A Web Designer’s Introduction to Adobe Animate CC
What is Adobe Animate?
Adobe Animate is described as being an evolution of Flash Professional; a product whose proprietary nature was doomed to the history books the moment Steve Jobs put pen to paper.
“To more accurately represent its position as the premier animation tool for the web and beyond, Flash Professional will be renamed Adobe Animate CC” –Rich Lee, in 2015
So times change, and Adobe have changed their approach to the web as a result.
Whether you’re new to motion, or consider yourself a veteran searching for an alternative to prototyping, Adobe Animate CC might be for you. As with all tools its purpose is specific to the person using it. This isn’t a tool everyone must use, but it’s in your interests to be aware of its presence.
With Adobe Animate creations such as cartoons, advertisements, games, and other interactive content can be published to familiar platforms like HTML5 Canvas, Flash Player & Air, WebGL, and even Snap SVG.
Timeline and Frames
All animations occur in sequence on what’s commonly known as a timeline. Flash developers will understand these concepts very well. This UI allows you, the developer, to manage your animations in a timeline by gaining a visual perspective of how the entire sequence fits together. Here’s a brief introduction by Adobe discussingtimeline basics.
Timelines can include fine-grained animations in a frame-based context. This means artists can create animations in isolation and integrate these isolated movements into a larger master timeline.
Exporting and Publishing
With open web standards finally being embraced by Animate CC, developers must still be aware of the technical limitations of the format they’re exporting to. Developers do have the option to export to the Flash player, SWF files, if needed. It’s also possible to export at multiple resolutions making it priceless for bitmap work.You can even generate a sprite sheetbased on keyframes and animate through them using CSS!
There’s no doubt that the export and publish options make it far more efficient to modernize your projects. Ship different versions of the same project without recreating your original source files from scratch by enabling the “scale content” option.Generate an HTML document for ActionsScript projects using the correct
embed tags via the publish settings dialog box.
The icing on the cake is you also have the ability to export to SVG.
Animate CC introduces new vector drawing tools, includingvector brushesthat don’t need to be converted to shapes in order to be edited. Everything you’re familiar with in Illustrator for brushes and drawing is also available to you in Animate CC. It allows you to custom-define a brush by setting parameters of the brush such as shape and even angle. Super slick if you care about quality and crisp artwork.
Flash developers will be right at home with the bone tool to animate objects using “bones” chained linearly or branched in parent-child relationships; think of movements like an arm bending, a snake slithering or a leg kicking. These types of motion could take a tedious amount of time to prototype in code, but with Animate CC it can happen very quickly, making bad ideas cost less and nurturing good ideas faster.
Armature-based motion sequences can also be included intosymbols,or what are known as “instances”, which can be reused throughout your project.
The bone tool comes with other tricks up its sleeve too. Gain realistic physical movement by integrating dynamic physics into the bones, likespringness,making the motion far more realistic to the physical world.
Camera Positions and Stage Controls
Animators have complete control over how the stage (i.e canvas) is positioned. Options are available for rotating the stage in any way, from any point you choose, such as centrally to the stage or even from the corner. Your animation can contain more dynamics too, like addingcamera effectssuch as pan, zoom, or rotate giving your project even more realism; watch out James Cameron.
Tools are cool, but they don’t rule the world. Choose wisely, but choose what works for you. Tools are there to be of help not to dictate your workflow. If you’re using Animate in a project leave a comment and a link below of examples if you have some–tell us about your experience with this application. Happy animating!